I am constantly fantasizing about ways to play with aspects of “truth”. Questioning and drafting out ideas of intervention. How do I intervene? When and where do I place myself into this complex history? And, how can I shape and map history?

I envision “play” as my own codified strategy of working with extremes. By using play to draw attention to the history of culturally developed stereotypes and representations of Black people, I am able to subtly shift those same images into more radical spaces.

My work investigates the historical events that have influenced the traditions that have and continues to shape Black Culture. Fabric is the core of my work. I believe choosing to wrap, drape, sew, collage, weave, draw, print and create with and on fabric, establishes ownership of that idea. Social Realism manifests itself through pieces of fabric I use to create richly textured dolls, prints and quilts that weave historical data with personal memories. Using the techniques of dollmaking, quiltmaking, collaging and crocheting, that were influenced by my ancestors is my way of forming a connection, continuing a tradition, preserving the memories and inserting myself into history.

The quality I admire most about Black Culture is the strength to find humor in the midst of struggle and pain. That quality I try to mimic and express throughout my work. My intention is not to poke fun at or to make light of the works source, but to reveal a sense of redemption and an indomitable spirit.